AskDefine | Define aureole

Dictionary Definition

aureole

Noun

1 the outermost region of the sun's atmosphere; visible as a white halo during a solar eclipse [syn: corona]
2 an indication of radiant light drawn around the head of a saint [syn: aura, halo, nimbus, glory, gloriole]

User Contributed Dictionary

English

Noun

  1. Corona.
  2. A circle of light or halo around the head of a deity.
  3. In the context of "by extension": Any luminous or colored ring that encircles something.

References

  • Dictionary.com}}
  • "aureole" in Encarta® World English Dictionary [North American Edition] © & (P)2007 Microsoft Corporation.
  • "aureole" in the Wordsmyth Dictionary-Thesaurus © Wordsmyth 2002.
  • "aureole" in Cambridge Advanced Learner's Dictionary © Cambridge University Press 2007.
  • "aureole" in Compact Oxford English Dictionary, © Oxford University Press, 2007.
  • Oxford English Dictionary, 2nd ed., 1989.
  • Random House Webster's Unabridged Electronic Dictionary, 1987-1996.

Italian

Noun

aureole

Extensive Definition

An aureola or aureole (diminutive of Latin aurea, "golden") is the radiance of luminous cloud which, in paintings of sacred personages, surrounds the whole figure. In the earliest periods of Christian art this splendour was confined to the figures of the persons of the Christian Godhead, but it was afterwards extended to the Virgin Mary and to several of the saints.
The aureola, when enveloping the whole body, generally appears oval or elliptical in form, but occasionally circular or quatrefoil. When it appears merely as a luminous disk round the head, it is called specifically a halo or nimbus, while the combination of nimbus and aureole is called a glory. The strict distinction between nimbus and aureole is not commonly maintained, and the latter term is most frequently used to denote the radiance round the heads of saints, angels or Persons of the Trinity.
This is not to be confused with the specific motif in art of the Infant Jesus appearing to be a source of light in a Nativity scene. These depictions derive directly from the accounts given by Saint Bridget of Sweden of her visions, in which she describes seeing this.
The nimbus in Christian art first appeared in the 5th century, but practically the same motif was known from several centuries earlier, in pre-Christian Hellenistic art. It is found in some Persian representations of kings and gods, and appears on coins of the Kushan kings Kanishka, Huvishka and Vasudeva, as well as on most representations of the Buddha in Greco-Buddhist art from the 1st century AD. Its use has also been traced through the Egyptians to the ancient Greeks and Romans, representations of Trajan (arch of Constantine) and Antoninus Pius (reverse of a medal) being found with it. Roman emperors were sometimes depicted wearing a radiant crown, with pointed rays intended to represent the rays of the sun.
In the circular form the nimbus constitutes a natural and even primitive use of the idea of a crown, modified by an equally simple idea of the emanation of light from the head of a superior being, or by the meteorological phenomenon of a halo. The probability is that all later associations with the symbol refer back to an early astrological origin (compare Mithras), the person so glorified being identified with the sun and represented in the sun's image; so the aureole is the Hvareno of Mazdaism. From this early astrological use, the form of "glory" or "nimbus" has been adapted or inherited under new beliefs.

Mandorla

A Mandorla is a Vesica Piscis shaped aureola which surrounds the figures of Christ and the Virgin Mary in traditional Christian art. It is especially used to frame the figure of Christ in Majesty in early medieval and Romanesque art, as well as Byzantine art of the same periods. The term refers to the almond like shape: "mandorla" means almond nut in Italian. In icons of the Eastern Orthodox Church, the mandorla is used to depict sacred moments which transcend time and space, such as the Resurrection, Transfiguration, and the Dormition of the Theotokos. These mandorla will often be painted in several concentric patterns of color which grow darker as they come close to the center. This is in keeping with the church's use of Apophatic theology, as described by Dionysius the Areopagite and others. As holiness increases, there is no way to depict its brightness, except by darkness.
The symbol is also used in non-Christian contexts. In various religions the almond seed has been associated with divine virgin birth. For instance the virgin nymph Nana miraculously conceived of Attis by putting a ripe almond in her bosom. http://www.sacred-texts.com/pag/frazer/gb03400.htm
In a famous romanesque fresco of Christ in Glory at Sant Climent de Taüll the inscription "Ego Sum Lux Mundi" is incorporated in the Mandorla design.http://www.xtec.es/~jarrimad/medieval/romanico/taull.htm The tympanum at Conques has Christ, with one of those beautiful gestures carved in romanesque sculpture, indicate the angels at his feet bearing candlesticks. Six surrounding stars, resembling blossoming flowers, indicate the known planets including the moon. Here the symbolism implies Christ as the Sun. http://www.handinaute.org/roman.img/Conques02.jpg
In one special case, at Cervon (Nièvre), Christ is seated surrounded by eight stars, resembling blossoming flowers. http://homepage.uvt.nl/~s239062/EDIFICES/cervon/CERVONtim.JPG At Conques the flowers are six-petalled. At Cervon, where the almond motif is repeated in the rim of the mandorla, they are five-petalled, as are almond flowers -the first flowers to appear at the end of winter, even before the leaves of the almond tree. Here one is tempted to seek for reference in the symbolism of the nine branched Chanukkiyah candelabrum. It should be remembered that in the XII century a great school of Judaic thought radiated from Narbonne, coinciding with the origins of the Kabbalah. Furthermore, at Cervon the eight star/flower only is six petalled: the Root of David, the Morningstar, mentioned at the close of Book of Revelation (22:16) http://www.romanes.com/Cervon/Saint_Barthelemy_de_Cervon_0011.html ( In one of the oldest manuscripts of the complete Hebrew Bible, the Leningrad Codex, one finds the Star of David imbedded in an octagon )
In the symbolism of Hildegarde von Bingen the mandorla refers to the Cosmos.

References

  • Timmers J.J.M. A Handbook of Romanesque Art New York London 1969 Icon Editions, Harper and Row
  • Gérard de Champéaux, Dom Sébastièn Sterckx o.s.b. Symboles, introduction à la nuit des temps 3, Paris 1966 ed. Zodiaque (printed: Cum Permissu Superiorum)
  • Brian Young The Villein's Bible; stories in romanesque carving London 1990 Barry & Jenkins
  • Roger Cook The Tree of Life: Image for the Cosmos New York 1974 Avon Books
aureole in Czech: Mandorla
aureole in German: Heiligenschein
aureole in French: Auréole (religion)
aureole in Hungarian: Glória (művészet)
aureole in Italian: Aureola
aureole in Dutch: Aureool
aureole in Norwegian: Glorie
aureole in Portuguese: Auréola
aureole in Russian: Нимб
aureole in Swedish: Gloria (symbol)

Synonyms, Antonyms and Related Words

O, annular muscle, annulus, anthelion, antisun, areola, aura, chaplet, circle, circuit, circumference, circus, closed circle, corona, coronet, countersun, crown, cycle, diadem, discus, disk, eternal return, fairy ring, garland, glory, halo, lasso, logical circle, loop, looplet, lunar corona, lunar halo, magic circle, mock moon, mock sun, moon dog, nimbus, noose, orbit, paraselene, parhelic circle, parhelion, radius, rainbow, ring, rondelle, round, roundel, saucer, solar corona, solar halo, sphincter, sun dog, vicious circle, wheel, wreath
Privacy Policy, About Us, Terms and Conditions, Contact Us
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2
Material from Wikipedia, Wiktionary, Dict
Valid HTML 4.01 Strict, Valid CSS Level 2.1